赵体楷书用笔沉稳，章法分明，外貌圆润而筋骨内涵，其点画华滋遒劲，节体宽

Zhao Ti's regular script is composed of steady brushwork, clear rules, rounded appearance and connotation of muscles and bones. His pointillism is vigorous and vigorous, the body is wide and beautiful, and there is danger in the balance. Tang Kai's strokes and styles often borrowed the structure of the running script to make the regular script look beautiful and moving. Just as Zhao Mengfu said: calligraphy is based on the use of the brush, and the knotting also requires work.

Zhao's regular script is composed of steady strokes, clear rules, round appearance and strong connotation. Its stippling is elegant and vigorous, and its body is broad and beautiful. It is dangerous in the middle. The echoes between stippling and painting are very close, which not only retains the method of Tang's regular script, but also does not stick to the one move of Tang's regular script. It often borrows the structure of running script to make regular script look beautiful and moving, just as Zhao Mengfu said: calligraphy is based on the use of pen, And the knot word also needs labor. The seal word is handed down from time to time, and it is not easy to use the pen through the ages.

Zhao Ti's regular script is characterized by steady brushwork, clear composition, round appearance and bone and muscle connotation. Its stippling is gorgeous and vigorous, its section is broad and beautiful, and it's peaceful and dangerous. The stippling echoes very closely, that is, it retains the rules of Tang Dynasty's regular script without sticking to one stroke and one style of Tang Dynasty's regular script. It often borrows the brushwork structure of running script to make the regular script look beautiful and moving, just as Zhao Mengfu said: calligraphy is based on the pen, and it also needs labor to finish words.