通过文献分析，发现用事物和原型理论结合数字化技术来研究长沙窑非物质文化

Through literature analysis, it is found that there is almost no related research on the intangible culture of Changsha kilns using things and prototype theory combined with digital technology. The papers related to Changsha kilns are mostly based on archaeological research, historical evolution, artistic characteristics and cultural exchanges. It fully illustrates the feasibility of the study. The research on digital protection of cultural heritage in foreign countries started early, and it also provides research ideas for this research. <br>My research focus is to interpret the cultural heritage of Changsha kilns with two theories of things and prototypes, the acquisition and digital representation of things prototypes, and the theory and practice of prototype-driven design creative models, cultural heritage things and things, acquisition of prototypes, digital representation, Prototype characteristics, design creativity, etc. are the main research content. The research takes things and prototype theory as the starting point, the purpose of designing creative thinking to serve the cultural and creative industries and the development of creative products, the support of advanced digital technology, the cultural heritage of Changsha kilns as objects, and the exploration of regional culture with digital as the carrier New ideas, new methods and new technologies for the protection and development of heritage. <br>On the theoretical level, explore a set of theoretical, technical and methodological systems for regional cultural digital protection and creative product design based on the prototype theory of things. Proposed prototypes and digital methods to study the research paradigm of Changsha kiln, extending the research perspective of Changsha kiln culture from archeology to design. The research adopts the research route of object structure, object prototype acquisition and digital representation. Through the analysis of Changsha kiln objects and object prototypes, the object prototype framework of Changsha kiln and the basic application paradigm of Changsha kiln object prototype are proposed, and the cultural space and prototype of Changsha kiln Based on the heuristic theory, a design creative mechanism based on the inspiration of object prototypes and the matching of object prototypes is proposed. Research and case analysis show that the feasibility and practicability of this research paradigm has theoretical innovation significance for design research.<br>At the level of prototypes of Changsha kilns, archaeological materials, research documents and field investigations are used as evidence and historical resources for research, mainly to study the events and objects of Changsha kilns. On the basis of confirming the evidence and sources of historical materials for the study of Changsha kilns, a detailed study of the historical background, geographical environment, cultural influence, information exchange and purpose of Changsha kilns, as well as the formation principles, structural forms, glaze materials, Craftsmanship and modeling of utensils. According to the characteristics of things in Changsha, the specific methods and technical routes of the digital representation of prototypes and prototypes are discussed. The digital representation of prototypes is realized through the digitalization of three prototype features of form, color and decoration. The acquisition process of Changsha kiln prototypes is proposed and experiments are carried out. Discusses the Changsha kiln thing prototype material collection framework and basic organization structure of thing prototype and thing prototype. <br>In the research of the prototype-driven design creativity model of Changsha kiln, based on the cultural space of Changsha kiln and prototype inspiration theory, a design creativity mechanism based on prototype inspiration and matching of prototypes is proposed. Facing the creative product design of Changsha kilns, a prototype-driven cultural creative product development process is proposed, and the significance and value of creative design based on the application of prototype features are discussed. Build a framework for the protection, display, development and utilization of digital regional cultural heritage based on information technology, Internet technology and advanced manufacturing technology. In the digital display link, build a human-computer interaction control and digital art space interaction system, including the acquisition of motion information, the motion information mapping 3D model of the image engine, and the motion mapping virtual reality.

Through literature analysis, it is found that there are few related studies on the non-material culture of Changsha kiln by combining things and archetype theory with digital technology, and the papers related to Changsha kiln are based on archaeological research, historical evolution, artistic features and cultural exchange, which also fully illustrates the feasibility of this research. The research on the digital protection of foreign cultural heritage started early and also provided the research ideas for this study.<br>My research focus is on the two theories of things and prototypes to interpret Changsha kiln cultural heritage, the acquisition of things prototype and digital characterization and things prototype-driven design creative model theory and practice, cultural heritage matters and objects, things prototype acquisition, digital characterization, prototype features, design creativity and so on are the main research content. The research takes things and archetype theory as the starting point, designs creative thinking to serve the cultural and creative industries and creative product development as the purpose, takes the advanced digital technology means as the support, takes Changsha kiln cultural heritage things as the object, explores the new ideas, new methods and new technologies for the protection and development of the regional cultural heritage with digital as the carrier.<br>On the theoretical level, a theoretical, technical and methodic system of regional cultural digital protection and creative product design based on the theory of archetypes of things is explored. This paper puts forward the research paradigm of Changsha kiln by the prototype and digital method of things, and expands the perspective of Changsha kiln culture from archaeology to design. Research釆 Using the research route of thing structure, thing prototype acquisition and digital characterization, by analyzing Changsha kiln thing and thing prototype, this paper puts forward the basic application paradigm of Changsha kiln's thing prototype framework and Changsha kiln thing prototype, and puts forward the design creative mechanism based on the theory of Changsha kiln's cultural space and prototype inspiration. The research and case analysis show that the feasibility and practicality of the research paradigm have the theoretical innovation significance of design research.<br>At the level of changsha kiln archetype, the main research is on the things and things of Changsha kiln with archaeological data, research literature and field visits as the evidence and historical resources. On the basis of confirming the evidence and historical material sources of Changsha kiln research, the historical background, geographical environment, cultural influence, information exchange and purpose significance and the formation principle, structure form, tire glaze material, production process and object shape of Changsha kiln are studied in detail. According to the characteristics of Changsha things, the specific methods and technical routes of digital characterization of prototypes and objects are discussed, the digital characterization of prototypes is realized through the digitization of three prototype features of morphology, color and decoration, the acquisition process of Changsha kilns and experiments are carried out, and the basic organizational structure of Changsha kilns and prototypes is initially discussed.<br>Based on the theory of cultural space and archetype inspiration in Changsha kiln, the design creative mechanism based on the idea of object archetype inspiration and the matching of object prototype is proposed. Facing the creative product design of Changsha kiln, this paper puts forward the process of cultural creative product development driven by the prototype of things, and discusses the significance and value of the creative design of the application of the characteristics of the prototype of things. Build a framework for the protection, presentation and development and utilization of digital geographic cultural heritage based on information technology, Internet technology and advanced manufacturing technologies. In the digital display, the interactive system of human-computer interaction control and digital art space is constructed, including action information acquisition, action information mapping 3D model of image engine, and virtual reality of action mapping.

Through the literature analysis, it is found that there are few researches on the intangible culture of Changsha kiln with the combination of object and prototype theory and digital technology. Most papers related to Changsha kiln are based on archaeological research, historical evolution, artistic characteristics and cultural exchange, which fully demonstrates the feasibility of the study. The research on digital protection of cultural heritage in foreign countries started earlier, which also provides research ideas for this study.<br>My research focuses on the interpretation of Changsha kiln cultural heritage with the two theories of things and archetypes, the acquisition and digital representation of things' prototypes, and the theory and practice of design creative mode driven by object prototypes. The main research contents are cultural heritage events and objects, acquisition of object prototypes, digital representation, prototype characteristics and design creativity. Based on the theory of things and prototypes, the purpose of the research is to serve the cultural creative industry and creative product development with the creative thinking of design as the purpose, the advanced digital technology as the support, and the cultural heritage of Changsha kiln as the object, to explore the new ideas, methods and technologies of the protection and development of regional cultural heritage with digitization as the carrier.<br>On the theoretical level, it explores a set of theories, technologies and methods of regional cultural digital protection and creative product design based on the prototype theory of things. This paper puts forward the research paradigm of things prototype and digital method to study Changsha kiln, and extends the perspective of Changsha kiln culture research from archaeology to design. The research adopts the research route of object structure, object prototype acquisition and digital representation. Through the analysis of Changsha kiln things and object prototypes, the article prototype framework of Changsha kiln and the basic application paradigm of Changsha kiln object prototype are proposed. Based on Changsha kiln cultural space and prototype heuristic theory, design creativity based on object prototype inspiration and object prototype matching is proposed Mechanism. The research and case analysis show that the research paradigm is feasible and practical, and has the theoretical innovation significance of design research.<br>On the level of prototype of Changsha kiln, this paper mainly studies the things and objects of Changsha kiln with archaeological data, research literature and field investigation as evidence and historical resources. On the basis of confirming the evidence and the source of historical materials, the historical background, geographical environment, cultural influence, information exchange and purpose significance of Changsha kiln are studied in detail, as well as the formation principle, structural form, body glaze material, production technology and utensil shape of Changsha kiln. According to the characteristics of things in Changsha, this paper discusses the specific methods and technical routes of the digital representation of the object prototype and the event prototype. The digital representation of the object prototype is realized through the digitization of the three prototype characteristics of the shape, color and decoration. The acquisition process of the thing prototype of the Changsha kiln is proposed and the experiment is carried out. The framework of the material collection of the thing prototype of the Changsha kiln and the basic organization structure of the event prototype and the object prototype are discussed 。<br>Based on the theory of Changsha kiln culture space and prototype inspiration, this paper puts forward a design creative mechanism based on object prototype inspiration and object prototype matching. For the creative product design of Changsha kiln, this paper puts forward the development process of cultural and creative products driven by object prototype, and probes into the significance and value of creative design for the application of object prototype features. To construct a framework of digital regional cultural heritage protection, display and development based on information technology, Internet technology and advanced manufacturing technology. In the digital display, the interactive system of human-computer interaction control and digital art space is constructed, including the acquisition of action information, the 3D model of image engine's action information mapping, and the action mapping virtual reality.<br>