《晨歌》的创作是作曲家在学习期间的习作，已经展现了良好的创作构思与发展

The creation of "Morning Song" is the composer's study during the study period, and has shown good creative ideas and development momentum. As he mentioned in the supplementary note, after the first draft was completed, Teacher Luo Zhongrong put forward several requirements: 1. Whether the composition is composed or not for harmony, if you want to combine technology with living music, you must use Speak in your own language; 2. Use the method of "writing tonal music with atonal thinking" in the writing of certain paragraphs (see Hendemit's composition technique 2) to make the mode and tonality more active Change; 3. Use the thinking method of increasing and decreasing tension in the harmony language to make the lines fluctuate naturally and logically; 4. The middle rhythm should often change the key point of the beat to break the rebeat cycle in units of bars.

The creation of "Morning Song" is the composer's work during the study period, which has shown good creative ideas and development momentum. As he mentioned in his by-notes, after the completion of the first draft, Mr. Luo Zhongxuan put forward several requirements: 1. Composition is not a compositional problem, in order to combine technology with living music well, you must speak in your own language; 3. Harmonic language uses increasing and decreasing tension thinking methods to make the lines undulating naturally and logically; 4. Mid-segment rhythms should often change the focus of the beat, breaking the remake cycle in small sections.

The creation of "morning song" is the composer's work during his study, which has shown a good creative idea and development momentum. As he mentioned in the postscript, after the completion of the first draft, Mr. Luo Zhongrong put forward several requirements: 1. Composition is creation, not harmony. If you want to combine technology with living music well, you must speak in your own language; 2. Use the method of "writing tonal music with atonal thinking" in the writing of some paragraphs (see hendermitt's composition technique 2), so as to make the music more harmonious In harmony language, we should use the thinking method of increasing and decreasing tension to make the lines rise and fall naturally and logically; in the middle rhythm, we should often change the key points of the beat to break the cycle of remake with the bars as the unit.<br>